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Your online content is at serious risk. Did you know that:
A business’ intellectual property is oftentimes its most valuable and vulnerable asset making copyright law especially daunting for many practitioners. On top of that, the largely unknown area of the Internet complicates matters. Hiring a law firm that has experience with these complicated issues is of the utmost importance.
Centre’s Capabilities and Experience
Centre’s attorneys have experience protecting copyrights and defending those accused of violating them. For example, Centre’s attorneys have:
Contact Eric S. Crusius, Esq. (ecrusius@centreconsult.com or 703-288-2800) for more information about what Centre’s Internet Law and New Media practice can do for you.
Read more about Copyright law and Internet law on Centre’s Internet law blog.
Information Centre: The Interface of Internet Law and Copyright Law
What is a copyright?
Copyright law protects works of authorship. Copyrights provide protection in “original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced or otherwise communicated, either directly or with the aid of a machine or a device.” 17 U.S.C. §102(a).
For example:
Copyrights on the Internet
In essence, the Internet is largely composed of copyrighted work. The code underlying most websites, the text, graphics, and images, and even the look and feel of websites can be copyrighted. Because of the ready availability of the copyrighted work and the technical underpinnings of the Internet, Courts have struggled with enforcing copyrights on the Internet.
One unique solution is the Digital Millennium Copyright Act (“DMCA”). Enacted in 1998, the DMCA gives copyright holders a relatively quick and inexpensive way to enforce their copyrights and take down infringing works.
If your copyright was violated on the Internet, we can help you exploit the unique tools offered by the DMCA and federal statutes. Conversely, if you have been accused of violating someone else’s copyright, we can represent you.
What are the Legal Requirements for Protection?
Originality and Creativity: the work must be “original” –i.e. result of the author’s intellectual endeavor that exhibits a minimal amount of intellectual creativity. The standard for original authorship, however, is generally extremely low.
Expression in a Tangible Medium: Protected work must be presented in a physical form (paper, recording, magnetic disk, etc.). If the work cannot be expressed in a physical or machine readable form then it is an unprotected idea.
What Rights are Conferred by Copyright Protection?
The Right to Use: the right to restrict and direct the use of the protected work is the hallmark of copyright protection. Only the copyright owner is permitted to authorize or license third parties to use or possess the work. Persons possessing the protected work without the authorization or permission of the copyright owner may be enjoined from use or distribution of the protected work.
The Right to Create Derivative Works: Another major right conferred on a copyright owner is the exclusive right to prepare a derivative work from the protected work. A derivative work is defined as a “[w]ork based upon one or more preexisting works such as a translation … motion picture version … or any other form is which a work may be recast, transformed or adopted. A work consisting of … elaborations, or other modifications, which, as a whole, represent an original work of authorship, is a ‘derivative work.’ 17 U.S.C. §101.
When Does Copyright Protection Accrue?
Protection Begins at Creation of the Work. An original work becomes subject to copyright protection as soon as it is “fixed in the tangible medium” and can be perceived, reproduced or otherwise communicated. No further action is required to secure the copyright.
Use of a Copyright Notice Is Not Required But is Recommended. A copyright notice is not required to secure a copyright, but it is desirable to communicate to third parties that the work is subject to copyright. Absent such notice, third parties may argue that they believed in good faith that the work was in the public domain.
Effective copyright notices contain four elements:
Registration Confers Additional Rights. Copyrights may, but are not required to be, registered with the United States Copyright Office. Registration, however, enables the copyright owner to recover statutory damages up to $100,000 for infringements of the copyright that occur after the registration.
Duration of Copyrights
Natural Persons as Creators: If the work was created by a single author, the term of the copyright is the life of the author plus 70 years. If the work was created by multiple authors, the term of the copyright is life span of the last surviving author plus 70 years.
Others: If the work was created on behalf of an employer as a “work for hire,” the term of the copyright is the lesser of 95 years from the date of publication or 120 years from the date of creation.
Copyright Infringement Litigation
Centre’s attorneys have experience representing parties in federal copyright litigations for online and offline works. For those accused of violating another’s copyright, the punishment is real:
° Actual damages.
° Statutory damages (up to $100,000) if the copyrighted work was registered.
° Injunctive relief to enjoin continuation of the infringement.
° Impoundment of unauthorized copies of the copyrighted work.
Special Issues Affecting Copyrights
In the event of joint ownership, each co-owner may grant a non-exclusive license to use the work without the consent of the other co-owners subject to a requirement that any profits gained through such licenses must be shared equally among the co-owners.
A sale of the copyright itself is referred to as a copyright assignment. Unless the assignment occurs by operation of law (e.g., bankruptcy court decree or inheritance) an effective assignment of a copyright must be made in writing and must be signed by the owner of the copyright.
News Centre – The Latest Copyright News
New York’s Highest Court: Situs of Internet Copyright Injury is Location of Copyright Holder
May 24, 2011
New York’s highest court – the Court of Appeals – held that the situs of the Internet Copyright violation is the location of the copyright holder. Penguin Grp. (USA) v. Am. Buddha, 16 N.Y.3d 295 (2011).
Centre’s take: this expansive view of jurisdiction will expand the ability of New York’s copyright holders to bring lawsuits in New York no matter where the Defendant resides and no matter whether the Defendant has ever been to New York.
Connect with Centre’s Internet Law and New Media Practice
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Further Research
Copyright Act: http://www.copyright.gov/title17/
Digital Millennium Copyright Act: http://www.copyright.gov/legislation/pl105-304.pdf
Lanham Act (Trademark law): http://www.uspto.gov/trademarks/law/tmlaw.pdf
Domain Name Dispute Resolution (ICANN): http://www.icann.org/en/udrp/udrp.htm
Guide to the CAN-SPAM Act: http://business.ftc.gov/documents/bus61-can-spam-act-compliance-guide-business
Hacking statute: http://www.justice.gov/criminal/cybercrime/1030_new.html